A constant dialogue between hand and material: shaped by Thomas Morineau Barthélemy’s lived experience, the core of his practice is a belief in making through learning. Whether working at the scale of a building or a bowl, his designs pursue a tactile honesty, guided by the inherent qualities of materials: their weight, grain, tension, and memory. Each project is approached not as a fixed vision, but as a process of discovery – one that values intuition, imperfection, and the subtle intelligence of craft.
Through his studio, Barthélemy fosters a practice that is transparent, collaborative, and grounded. Sketches become opening gestures, instead of final words – evolving in close exchange with those who shape the work by hand. This iterative rhythm – rich with small adjustments and unexpected turns – allows form to emerge from material rather than being imposed upon it. The result is a body of work that holds the trace of its making, where gestures are visible, valued, and alive.
© Cécile Bortoletti
Which place do you currently call home and where do you work on your projects?
I was born and raised in Paris, and I’ll always have a soft spot for the city – its energy, its unpredictability, and those little moments you only find here. But over a decade ago, I took a trip to Marseille. I can’t even remember what brought me there, but something about it stuck with me. Since then, I’ve been going back whenever I can. My fiancée and I are hoping to make it our home one day. Ideally, I’d love to move between Paris and Marseille, letting each place inspire different projects. It feels like the perfect balance.
Where’s your studio located & how does it look?
My workshop is actually a room in my apartment, in the Jourdain/Belleville neighborhood of Paris. It allows me to take pieces and samples straight out of the studio and test them at home, in a real, lived-in space. It also means I can welcome people in a place that truly feels like me — somewhere my clients instantly feel at ease. It creates a special kind of connection between them and the pieces, in an environment that’s personal, warm, and intimate.
© Cecile Bortoletti
Are there any projects that are personally important to you – whether recently completed or currently in progress?
Last September, during Paris Design Week, I presented a modular wooden system. This project was inspired by my previous collection, La Taulo e l’Oustau, in its structural approach — but this time, it offers endless combinations.The idea was to move away from furniture as fixed, static objects and turn them into something more sensitive, adaptable, and personal. Pieces that can evolve with time, with the client’s needs, and with their tastes. You can easily turn a stool into a bench, a console, or extend your piece by swapping out elements.I’m fascinated by this fluid, evolving approach. In a world weighed down by overproduction, thinking about simplicity, repairability, and adaptability feels not only relevant but necessary.
© Cécile Bortoletti
© Luc Bertrand
Do you have a favorite place in your area where you like to relax and linger?
I’m in love with my neighborhood – the High Belleville/ Jourdain area. It’s this great mix of calm and diversity. To get here, you have to climb one of the steepest hills in Paris, and honestly, it takes a bit of motivation if you’re on a bike. But once you’re up here, it feels like a little world of its own. It’s an eclectic, inspiring place where some of the neighbors have been around for decades. There’s this sense that people know each other and look out for one another. I moved here from the much busier 11th arrondissement about four years ago, and my fiancée joined me two years later – so in a way, we’re still the newcomers. One of my favorite spots is Belleville Park and its belvedere. It overlooks the city, and you’ll always find teenagers playing guitar, new couples on first dates, old lovers watching the Eiffel Tower in the distance, and dogs running around. I love the atmosphere there – it’s simple, lively, and somehow always a little magic.
© Pedro Szekely from Los Angeles, USA, Paris cityscape (42006296512), CC BY-SA 2.0
Are there any urgent political issues or problems in your region?
I wouldn’t even know where to begin! Honestly, it feels like “urgent political issues” have become the norm pretty much everywhere these days. I do keep an eye on both French and international news, of course, but I try not to dive in too deep – probably a way of protecting my own peace of mind. It’s a tricky balance between staying informed and not letting it overwhelm you.
In your opinion, what has developed well in the last 5 years – and what has not?
When I first moved into the neighborhood about four years ago, there were a lot of old, not-so-welcoming shops and bars around. Since then, the whole area has really stepped up – new places have opened, new faces have arrived, and it’s brought a different kind of energy. Of course, it’s a double-edged sword, like any big change, but overall, I feel like the vibe has improved. It’s still authentic, just a little more alive.
© Chabe01, Parc Belleville – Paris XX (FR75) – 2021-06-10 – 1, adjusted colors, CC BY-SA 4.0
© Kent Wang from Barcelona, Spain, Marseille Cathedral (52115059030), CC BY-SA 2.0
Do you know a hidden gem when it comes to local manufacturers – whether it’s arts and crafts, sustainable products or food?
For me, the real hidden gems are always restaurants. My fiancée and I love discovering new places to eat and drink, it’s kind of our thing. My top two spots would be Rond, a Normandy galette place with an all-day sunny terrace. No website, no Instagram – just great products, perfectly cooked, and a super chill, welcoming team. The other one is Le Jourdain – it’s only open on weekdays, which somehow makes it feel even more special. It’s the perfect spot for an early drink and a few plates to share. The menu changes daily depending on what’s fresh at the market, the wine list is great, prices are fair, and it’s always a good idea.
Is there anything particularly innovative in your region? Also in comparison to other places you have already visited?
Well – we’re in Paris, so, of course it’s constantly buzzing with innovation, creativity, and social movements. As a creative, I’m fully immersed in that world. This part of the city is packed with artist residencies, workshops, and studios. For my collectible furniture projects, I get to collaborate with incredible artists, most of them less than 30 minutes from my own workshop, which is such a privilege. We’re planning to move to Marseille in the next few months, but we’ll definitely keep one foot in Paris to stay connected to our work network and this creative energy.
Do you have a secret restaurant tip that you would like to share with us?
Yes – a couple actually! About 20 minutes from our apartment and studio, a good friend of mine just opened Lissit with the amazing chef Claire Grumellon. It’s all about natural wine, a warm, easygoing atmosphere, and the kind of team that makes you feel at home right away. You should definitely check it out ASAP. In the 18th arrondissement, on Rue Eugène Sue, there’s Pantobaguette by the super talented chef Antonin Girard. It’s Japanese-inspired finger food and beautifully styled dishes. Tucked between the open kitchen and athe beautifully designed bar, the DJ booth, (exclusively records) sets the perfect vibe. I just wish it was a bit closer to our place!
© Pantobaguette
© Lissit
Is there a local shop whose products are only available in your region?
That’s a tough one, since Paris pretty much has everything you could want. But flipping the question around – is there a local shop that sells products you can’t find anywhere else in the city? Definitely! As a big fan of Japanese food, I often go to Umai. It’s hands down the best spot for grabbing everything you need for those “every Sunday evening ramen” nights.
© Umai
What are your 3 favourite apps that you use every day and couldn’t live without?
Instagram is a must for me – as an interior and furniture designer, it’s the best way to share my projects and keep people updated on what I’m working on. Then there’s my calendar apps – I actually use a couple that work together. They’re essential for organizing client meetings, keeping track of events I can’t miss, and managing exhibition deadlines. And finally, Le Monde app. It’s how I stay connected to world news, plus I love reading M le Magazine and Le Goût de M for their fascinating articles on all kinds of topics.
Do you have any favourite newspapers or online magazines? And how do you keep up to date with politics or social and cultural issues?
I check Le Monde every day on my phone. Sometimes I just glance at the notifications to stay in the loop with what’s happening globally, other times I dive into specific articles that catch my attention. For design and creativity, I’m a big fan of Milk Décoration, AD, and Formae. They’re top-notch when it comes to furniture, interior design, craft, and new projects from around the world.
© Olivier Dugornay, Les calanques de Marseille (Ifremer 00737-84905 – 41267), CC BY 4.0
Imagine you could be mayor for a year – what would you change?
That’s a tough one – I honestly can’t imagine myself doing such a demanding political job! But if I had the chance, I’d probably focus on supporting art and craftsmanship. Sometimes, it feels like this world doesn’t get the recognition it truly deserves in France. It’s a bit of a paradox, really – we have some of the best craftsmen and artists in the world, but their success often ends up being celebrated more outside the country than at home. Still, I’m hoping I won’t actually have to take on such a tricky role!
One last question: If you could choose another place to live – regardless of financial or time constrains – which one would you choose?
Without a doubt, Kyoto. One of my oldest dreams is to spend six months as a resident at Villa Kujoyama. I’ve been lucky enough to visit Kyoto twice, and I was completely captivated by the atmosphere – it’s a city that truly inspires creative minds. One day, I’ll be a resident at Villa Kujoyama. It’s no longer just a dream; it’s a goal.